Ludovico Ariosto

From Academic Kids

Ludovico Ariosto (September 8, 1474July 6, 1533) was an Italian poet, author of the epic poem Orlando furioso (1516), "Orlando Enraged".

He was born at Reggio, in Emilia. His father was Niccolo Ariosto, commander of the citadel of Reggio. He followed a strong inclination to poetry from his earliest years, but was obliged by his father to study the law--a pursuit in which he lost five of the best years of his life. Allowed at last to read classics under Gregorio da Spoleto. But after a short time, studying which he read the best Latin authors, he was deprived of his teacher by Gregorio's removal to France as tutor of Francesco Sforza. Ariosto thus lost the opportunity of learning Greek, as he intended.

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Ariosto.jpg
Statue of the poet in Reggio Emilia

His father dying soon after, he was compelled forego his literary occupations to undertake the management of the family, whose affairs were in disarray, and to provide for his nine brothers and sisters, one of whom was a cripple. He wrote, however, about this time some comedies in prose and lyrical pieces. Some of these attracted the notice of the cardinal Ippolito d'Este, who took the young poet under his patronage and appointed him one of the gentlemen of his household. This prince made a mockery of the character of a patron of literature. The only reward he gave the poet for Orlando Furioso, a piece dedicated to him, was the question, "Where did you find so many stories, Master Ludovic?" The poet himself tells us that the cardinal was ungrateful, that he deplored the time which he spent under his yoke, and adds, that if he received some niggardly pension, it was not to reward him for his poetry, which the prelate despised, but to make some just compensation for the poet's running like a messenger, with the work of his life yet to accomplish, at his eminence's pleasure. Nor was even this miserable pittance regularly paid during the period that the poet enjoyed it.

The cardinal went to Hungary in 1518, and wished Aniosto to accompany him. The poet excused himself, pleading ill health, his love of study, the care of his private affairs and the age of his mother, whom it would have been disgraceful to leave. His excuses were not well received, and even an interview was denied him. Ariosto then boldly said, that had his eminence thought to have bought a slave by assigning him the scanty pension of 75 crowns a year, he was mistaken and might withdraw his boon--which it seems the cardinal did.

The cardinal's brother, Alphonso, duke of Ferrara, now took the poet under his patronage. This was but an act of simple justice, Ariosto having already distinguished himself as a diplomat, chiefly on the occasion of two visits to Rome as ambassador to Pope Julius II. The fatigue of one of these hurried journeys brought on a complaint from which he never recovered, and on his second mission he was nearly killed by order of the pope, who happened at the time to be much incensed against the duke of Ferrara.

On account of the war, his salary of only 84 crowns a year was suspended, and it was withdrawn together after the peace. Because of this, Ariosto asked the duke either to provide for him, or to allow him to seek employment elsewhere. He was appointed to the province of Garfagnana, then without a governor, situated on the wildest heights of the Apennines, an appointment he held for three years. The place was no sinecure. The province was distracted by factions and banditti, the governor had not the requisite means to enforce his authority and the duke did little to support his minister. Yet it is said that Ariosto's government satisfied both the sovereign and the people given over to his care; indeed, there is a story about a time when he was walking alone and fell into the company of a group of banditti, the chief of which, on discovering that his captive was the author of Orlando Furioso, humbly apologized for not having immediately shown him the respect which was due to his rank.

In 1508 his play Cassaria appeared, and the next year I Suppositi.

In 1516, the first version of the Orlando Furioso in thirty cantos, was published at Padua.

The third and final version of the Orlando Furioso, in forty-six cantos, appeared on September 8, 1532.

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